The world's fastest camera: Trillion-frame-per-second video
By using optical equipment in a totally unexpected way, MIT researchers have created an imaging system that makes light look slow
M. Scott Brauer
Doing the math
After an hour, the researchers accumulate hundreds of thousands of data sets, each of which plots the one-dimensional positions of photons against their times of arrival. Raskar, Velten and other members of Raskar’s Camera Culture group at the Media Lab developed algorithms that can stitch that raw data into a set of sequential two-dimensional images.
The streak camera and the laser that generates the light pulses — both cutting-edge devices with a cumulative price tag of $250,000 — were provided by Bawendi, a pioneer in research on quantum dots: tiny, light-emitting clusters of semiconductor particles that have potential applications in quantum computing, video-display technology, biological imaging, solar cells and a host of other areas.
The trillion-frame-per-second imaging system is a spinoff of another Camera Culture project, a camera that can see around corners. That camera works by bouncing light off a reflective surface — say, the wall opposite a doorway — and measuring the time it takes different photons to return. But while both systems use ultrashort bursts of laser light and streak cameras, the arrangement of their other optical components and their reconstruction algorithms are tailored to their disparate tasks.
Because the ultrafast-imaging system requires multiple passes to produce its videos, it can’t record events that aren’t exactly repeatable. Any practical applications will probably involve cases where the way in which light scatters — or bounces around as it strikes different surfaces — is itself a source of useful information. Those cases may, however, include analyses of the physical structure of both manufactured materials and biological tissues — “like ultrasound with light,” as Raskar puts it.
As a longtime camera researcher, Raskar also sees a potential application in the development of better camera flashes. “An ultimate dream is, how do you create studio-like lighting from a compact flash? How can I take a portable camera that has a tiny flash and create the illusion that I have all these umbrellas, and sport lights, and so on?” asks Raskar, the NEC Career Development Associate Professor of Media Arts and Sciences. “With our ultrafast imaging, we can actually analyze how the photons are traveling through the world. And then we can recreate a new photo by creating the illusion that the photons started somewhere else.”